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A boy, a projectionist, and the movies that shaped a life—nostalgia with a beating heart.

A journalist's investigation into strange occurrences becomes a haunting study of grief and fear of the unknown.

In Cube (1997), directed by Vincenzo Natali, a group of people wakes up inside an apparently infinite structure made up of cubic rooms. Some offer temporary safety. Others hide mechanisms capable of instantly killing anyone who enters.

A professor's farewell party takes a wild turn when he claims to be 14,000 years old.

Andrei Tarkovsky’s Stalker is a film that has captivated audiences and critics for decades. To many, it stands as a cinematic masterpiece a profound, lingering exploration of existential themes. For others, however, it presents a challenging watch. Its lengthy runtime, deliberate pacing, ambiguous conclusion, and complete refusal to offer conventional narrative arcs or neat answers often leave casual viewers unsatisfied.

Probably the biggest genius in movie history was Roberto Benigni who was able to do comedy in a subject that is hard to play, the holocaust.